892 Royalty-Free Audio Tracks for "Classical Musicians"

An abridged version of Richard Wagner's Das Liebesmahl der Apostel, performed by the United States Marine Corps Band.

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

Excerpt of Israel in Egypt, earliest known music recording in existence.

Kindertotenlieder, V. In diesem Wetter, in diesem Braus.

Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.

Kindertotenlieder, III. Wenn dein Mütterlein.

Piano concerto no. 2 in c minor, op. 18 - ii. adagio sostenuto

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Symphony no. 9 in e minor 'From the new world', op. 95 - i. adagio - allegro molto 9. Sinfonie e-Moll op. 95 (B 178) “Aus der Neuen Welt”

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

Ogg file of Awadagin Pratt playing Alexander Scriabin's Étude Op. 8 No. 12

Variation 4, Goldberg Variations

The Christian hymn "All for Jesus" from Stainer's oratorio The Crucifixion

Variation 7, Goldberg Variations

Aria, Goldberg Variations

Amicus meus by Tomás Luis de Victoria

Composer: Dieterich Buxtehude Title: Was frag ich nach der Welt BuxWV: 104 Type of composition: Sacred Cantata

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

Unus ex discipulis meis by Tomás Luis de Victoria

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Pretending by Monplaisir

There is no place like Home by Monplaisir

Play the game by Monplaisir

Saturday's church by Monplaisir

Four Years by Monplaisir

She's gone by Monplaisir

O Souverain, O Juge, O Pere! from Jules Massenet's Le Cid (1885) sung by Enrico Caruso on 5 February 1916 for the Victor Talking Machine Company.

To Start Again by Monplaisir

Sonata in B-flat major, Deutsch Catalogue 960, 2nd movement.

Action by Monplaisir

A Good Start by Monplaisir

Healed by Monplaisir

The Call of the Coyote by Monplaisir

Brotherhood by Monplaisir

Chicken by Monplaisir

Yeonju Sarah Kim an der Evangelienorgel im Dom zu Salzburg

Not in the costume by Monplaisir

I am the Coyote by Monplaisir

To Fail by Monplaisir

Brother by Monplaisir

Home's church by Monplaisir

Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039

piano concerto in a minor, op. 16 - ii. adagio.  

An orchestrated version of Hungarian Rhapsody No. 2, performed by the U. S. Navy Band's Concert Band

Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

MIDI file of 'Tarantelle' 1909 by Fred Werner ca. 1850-1920

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.